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An unsung classic of nineteenth-century Russian literature, Karolina Pavlova's A Double Life alternates prose and poetry to offer a wry picture of Russian aristocratic society and vivid dreams of escaping its strictures. Pavlova combines rich narrative prose that details balls, tea parties, and horseback rides with poetic interludes that depict her protagonist's inner world-and biting irony that pervades a seemingly romantic description of a young woman who has everything.A Double Life tells the story of Cecily, who is being trapped into marriage by her well-meaning mother; her best friend, Olga; and Olga's mother, who means to clear the way for a wealthier suitor for her own daughter by marrying off Cecily first. Cecily's privileged upbringing makes her oblivious to the havoc that is being wreaked around her. Only in the seclusion of her bedroom is her imagination freed: each day of deception is followed by a night of dreams described in soaring verse. Pavlova subtly speaks against the limitations placed on women and especially women writers, which translator Barbara Heldt highlights in a critical introduction. Among the greatest works of literature by a Russian woman writer, A Double Life is worthy of a central place in the Russian canon.
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Helden sind zumindest in Deutschland Erscheinungen einer fernen Vergangenheit oder Gestalten, die eher fremden Kulturen angehören. Das gilt in ganz besonderer Weise für den heroischen Krieger aber auch andere Figuren, deren Taten und Leben in irgendeiner Weise politisch relevant sein könnten. Selbst der klassische Freiheitskämpfer hat keine wirkliche Konjunktur mehr. Es gab jedoch Zeiten, in denen dies anders war und nicht nur die politische Kultur, sondern auch gängige Verhaltensmuster und Ideale von Männlichkeit stark durch heroische Ideale geprägt waren. Vor der Französischen Revolution galt das allerdings in ganz Europa weniger für die gesamte Gesellschaft, sondern für bestimmte heroische Gemeinschaften, von denen der frühneuzeitliche Adel die prominenteste ist.Zentrales Thema dieses Bandes sind der Aufstieg und Niedergang des aristokratischen Heros vom späten 16. bis zur Mitte des 18. Jahrhunderts in England und Frankreich. Dabei erweist sich, dass in Frankreich der adlige Held der Verbürgerlichung und Moralisierung des Heroischen am Ende zum Opfer fiel, während in England eine Transformation heroischer Verhaltensmuster gelang. Die traditionelle politisch-soziale Elite entwickelte hier neue heroische Verhaltensnormen, die auch noch in der commercial society des 18. Jahrhunderts in gewissem Umfang vermittelbar blieben, auch wenn im 19. Jahrhundert auch hier der bürgerliche Held immer mehr in den Vordergrund trat.
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"Ann Williams' important new book discusses the dynamics of English aristocratic society in a way that has not been explored before. She investigates the rewards and obligations of status including birth, wealth, the importance of public and royal service and the need to participate in local affairs, especially legal and administrative business. This period saw the birth of a 'lesser aristocracy', the ancestors of the English gentry, the power-house of society and politics in the late medieval and early modern periods. Going on to examine the obligations and rewards of lordship and the relations between lords and their men, Williams illustrates how status was displayed and covers the importance of the manorial house, which was at once a home, an estate centre and a symbol of authority and the insignia of rank in weaponry, clothing and personal adornment. The growing gap between the highest rank of society and the lowest, fuelled by underlying economic developments is also covered. In conclusion she considers some of the occupations which symbolized and perpetuated lordly power. Though the upper levels of aristocratic society were swept away by the Norman settlement, the 'lesser aristocracy' had a much higher rate of survival and it was this group who began the manorialization of English society, familiar from the late medieval period."--Bloomsbury Publishing.
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Author(s) Tommasocc Language English Show full item record The paper describes the interesting and widespread phenomenon of genealogic portraiture in Florence by analyzing the case of the Guadagni family and its series of portraits. The series was commissioned during the mid-Seventeenth century by senator Tommaso di Francesco and it was intended to decorate the family House behind the Nunziata thanks to the contributions of many artists. Both in terms of quantity and artistic quality, the Guadagni portrait series represents a precious testimony of this specific portraiture genre, which started during the middle of the sixteenth century and reached its climax during the following century. This genre saw its decline in the 1700s, when the aristocratic ancient families lost their importance, and their illustrious ancestors' portraits became simple relics of a remote past.
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This book provides an evocative insight into the property, power, remarriage, and identity of high-ranking widows in two fundamentally different societies, Iceland and Yorkshire. The legal position of widows in each region is examined in light of evidence from charters, royal records and sagas to establish a detailed picture of practice. Comparison and family reconstruction are important elements, enabling the book to emphasize the placement of widows within the context of society and its institutions, and to consider fully the impact of individual circumstances on the widows’ opportunities for action. The result offers a fresh approach that tests widely accepted generalizations about widows’ independence, highlights differences between regions, and suggests the need to reconsider traditional, rigid definitions of kinship systems.
Widows --- Aristocracy (Social class) --- History
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The romance of a snobbish young woman who falls in love with a poor man, who is actually a Marquis in disguise.
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This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
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This work, based on archival research, combines a collective portrait of aristocratic women with an analysis of the particular, class-specific form of patriarchy and gender relations that flourished among the upper classes in Yorkist and early Tudor England.
Women --- Upper class women --- Aristocracy (Social class) --- Aristocracy --- Aristocrats --- Upper class --- Nobility --- History --- History. --- England --- 1450-1600 (Renaissance) --- Upper class women - England - History. --- Aristocracy (Social class) - England - History.
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